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Savoy Plucks Vollenweider
The Beat, by Melinda Newman
We’ve never been one to spout that major labels
no longer practice artist development; it’s just
that they now limit it to acts that they believe (and
hope and pray) can turn into huge moneymakers down the
line. And that line is getting shorter and shorter.
What the majors have done is abandon many music art
forms that show no chance of yielding such rewards,
leaving a bounty for smaller labels that do not have
the overhead or expectations of a major.
That’s how a label like Savoy Label Group ends
up with Andreas Vollenweider and uses him to launch
a world music imprint.
As many of you will recall, in the ‘80s and ‘90s,
as improbable as it may seem for a harpist, Swiss artist
Vollenweider was quite the sales force, with one platinum
album and three gold sets in the United States alone
while signed to Sony worldwide. According to SLG, he
has sold more than 20 million albums globally.
After a hiatus, during which he got back all his Sony
masters, Vollenweider will resurface on SLG’s
new Kin Kou world music label. Within the next few weeks
Kin Kou will announce three more signings of established
artists.
“The approach is, you kind of figure out which
way the water is running and swim against it,”
SLG president Steve Vining says. ‘These are areas
where larger companies aren’t functioning anymore.”
The Vollenweider discussion went from releasing new
album “Vox” to developing into a yearlong
rollout that includes the reissue of his entire catalog
with, in some cases, accompanying DVDs or CD-ROMs.
The slate starts with the June release of “The
Magic Harp,” a greatest-hits set. The album will
be the first SLG project to go through WEA Distribution;
SLG formerly funneled through RED Distribution. Reissues
will summarily follow, punctuated by “Vox,”
which is due in September.
The Vollenweider releases will receive an extra push
through a PBS special that will air during the August
pledge drive and again throughout December.
The break-even point for “Vox”? An almost-guaranteed
20,000 copies. “I think we can do better than
that, but if we sell that, we’re happy,”
Vining says. “We’ve made a fair deal where
we can all experience an upside, but the majors just
aren’t interested in those numbers.”
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